The Critical Corner

In a TV landscape that has been massively filled up with so many shows based on comic book properties with all different kinds of quality, no other show makes me more sad with its current state like "The Flash". The original spin off of the now defunct "Arrow", once the beacon of hope of what a great superhero show on network TV could be, has truly fallen to new lows. Despite a sign of some hope with its sixth season finally reversing a downward trend that hit its nadir with the fourth and fifth season, nothing could have ever prepared us for the pile of awful that awaited us for the majority of Season 7, even as it tried to pick itself up at the end. Obviously, there will be a big desire to point fingers and for heads to roll as to why the recently finished Season 7 turned out the way it did. One can easily point a finger to the ongoing COVID-19 pandemic, which most famously forced the improved sixth season to end prematurely, and make filming new seasons much more

          The Marvel Cinematic Universe's Disney+ experiment has been interesting to say the least. With their first two forays with "WandaVision" and "The Falcon and the Winter Soldier", we saw the MCU willing to experiment with its format and add extra depth to characters that were at best the side focus to the main coarse. At the same time, the shows were plagued by obvious flaws, like a lot of side stuff that was left frustratingly underserved by the time the show's came to a close, and an inability to bring their respective series to both a satisfying close and a sense that what we just watched would feel entirely essential once we started diving back into the movie realm, particularly after their positioning in importance to the next few phases of the franchise. It was the big question hanging over the third MCU show this year, "Loki". Would it follow the same pattern established by the previous two series?      "Loki" is an interes