The Critical Corner

Before going on their latest break, The Flash Season 5 had some significant forward momentum with their latest episode, “Time Bomb”. The things that happened this episode: season villain Orlin Dwyer AKA Cicada was definitively dispatched to make way for his niece from the future to assume the villain role for the remainder of the season (one that showed how deadly she is in the past two episodes). Also, Barry and Iris’ daughter Nora West Allen's secret of working with villain Eobard Thawne (which has been percolating since the reveal in the show’s 100 th episode) was finally brought to light. Suddenly, things kicked into gear to (hopefully) deliver a strong final third for the season. Therein lies the problem. Ever since the third season back in 2016, for a series that features the fastest man alive, the show has been consistently plagued with a case of sluggish pacing that’s become a little harder to ignore these days. For a show that made it

The "Arrow-verse" is The CW's greatest success to date  For the past couple of years, The CW network has done a great job at changing their identity in the eyes of audiences. Once hailed as the home of female teenage drama's like "Gossip Girl" and the remakes of "Beverly Hills 90210" and "Melrose Place", The CW is now the go to home for what can be considered "genre" TV dramas (scifi, fantasy, comic book, etc.). Even though The CW had delved into "genre" fare before (a heritage from defunct networks "The WB" and "UPN") with long running shows "Smallville", "Supernatural" and the networks own creations like "The Vampire Diaries", "The Originals" and "Nikita", no other show marked the network's shift in a bigger way than the debut of 2012's "Arrow". Stephen Amell as Oliver Queen/Green Arrow Originally a spiritual "spi