The Critical Corner

Hello! Now that I have made the list of my honorable mentions (you can read it here ), it's time to talk about the ten games that made an impact to me in the year of our Lord, 2020. Without further ado, here is the list: TOP 10 GAMES OF 2020 10. Resident Evil 3 2019's remake for "Resident Evil 2" remains one of my favorite survival horror games of all time. The amount of care and detail Capcom poured into a remake which puts many new game releases to shame is something that has stuck with me, and left me craving for so much more. Thankfully, Capcom was able to slightly satiate my hunger by releasing a remake of what I've learned is one of the more polarizing entries in the series, "Resident Evil 3". I'll be upfront and say this remake doesn't reach the highs from "Resident Evil 2", and in some ways it is a step backwards by being a game more focused on the action than the tension filled moments of the previous game. Despite this, the le

2020. Where to even begin with this year. Coming into 2020, it was hard not to feel exuberant excitement. For all intents and purposes, we were in the endgame of the PlayStation 4 and Xbox One generation that started all the way back in the ancient times of 2013. A new generation of consoles was on the horizon. The last big hurrahs of these systems were getting ready to ship. For many gamers out there, these are the most exciting of times. Then COVID-19 happened.  No matter which way to slice it, the COVID-19 pandemic that shrouded the entire world for the entirety of the year cast an unflattering pall over what should have been the victory lap of this past console generation. For a virus that ravaged and continues to ravage many different corners of the world, leaving lots of dead in its wake and hitting all sorts of working industries and economies hard, focusing on something relatively "unimportant" as videogames would seem like something a little irresponsible when lookin

Let me preface the Game of Thrones series finale review with this: based on the trajectory of where the series was headed over the past few weeks (specially a penultimate episode as bad as what we got), there was no way that “The Iron Throne” was ever going be the ideal ending for the series for most fans. The way the fanbase has been split will ensure this will be one of the most divisive series finales in recent memory. It was always going to be this way. Last week’s episode left my feelings about the series pretty shattered. The way a very important plot point like Daenerys Targaryen’s journey from would be savior to mad queen was handled brought to life the fundamental problem about the series in the last two seasons: shortening them up was a bad idea. There were small hints of Dany’s potential mad queen turn seeded throughout the entire series if you go back and look for them but theexecution in the hastily paced final seasons made it seem like a left t

Holy. Moley. As I sit here to write this review, I remain speechless. “Why?” I keep asking myself. “How could writer’s David Benioff and DB Weiss let this happen?” As Game of Thrones has been racing through to the finish, there has been a serious concern about the declining quality of the show the closer it has gotten to the end. While the first two episodes of the season were of a good to (specially the second one) great quality, the last two have shown a show struggling severely in the writing department. The Battle of Winterfell was a technical marvel but undone by its plot armor and other issues. Last week’s episode hurdled us through sudden out of left field twists and strange character logic that were serious causes for concern to where we were headed. And now, we have the “The Bells”. From a technical sense, even more than “The Long Night”, “The Bells” is the peak for Game of Thrones from a directorial and technical sense. The entire siege